Atelier/workshops list - 1994 - 2003
LIST OF WORKSHOPS AND FORMER CONFERENCES
From 1994
Moscow January 1994 « The work of P. Brook and the place of theatrical space in
the work of the young creator today». Workshop (6 daylong) on
theatrical venues today, for young directors and young set designers.
Munich January 1998 « Can we imagine a theatrical space, simply by reading a text». First part of the workshop (7 daylong): Work on spaces with directors and set design students, in relationship to three plays: UBU ROI , ROMEO and JULIET and HENRY THE V. Visits to 8 theatres.
December 1998 Second part of the workshop (3/4 days long): visits to 14 theatres in Paris .
Weimar May 1998 « To see and listen spaces ». Workshop (4 daylong) with interior architecture students.
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Lisbon March 1999 « Olhares sobre o espectaculo » Workshop (5 daylong) for young directors, young set designers and young architects. Theoretical and practical work about visibility, acoustics, and the presence in theatres. Visits to spaces and theatres.
Milan April 1999 Workshop about space, with Architects University students. Visits to spaces and theatres. (With the help of the French Embassy.)
Lisbon July 1999 « Toda a simplicidade e muito sofisticata ». Workshop (6 daylong) for young directors, young set designers and young architects. Theoretical and practical work about visibility, acoustics, and the presence in theatres. Visits to spaces and theatres.
Johannesburg September1999 Workshop on theatrical space for young directors and set designers.
Buenos Aires September 1999 Workshop (5 daylong) for young directors, young set designers and young architects. Theoretical and practical work about visibility, acoustics, and the presence in theatres. Visits to spaces and theatres. Photo exhibition about P. Brook’s spaces transformed by J.G. Lecat all around the world. (With the help of the French Embassy.)
Milan December 1999 « Can we imagine a theatrical space, simply by reading the text from SHAKESPEARE: Romeo and Juliet ». Workshop (6 daylong) with young directors of PAOLO GRASSI SCHOOL and the ARCHITECTURE UNIVERSITY students. Work on text, manufacture of models, sketches. Visits to spaces and theatres.
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Montréal February 2000 Workshop (5 daylong) for young directors, young set designers and young architects. Theoretical and practical work about visibility, acoustics, and the presence in theatres. Visits to spaces and theatres.
Lisbon July 2000 « Adaptation of theatrical space ». Workshop (5 daylong) for young directors, young set designers and young architects. Theoretical and practical work about visibility, acoustics, and the presence in theatres. Visits to spaces and theatres. Photo exhibition about P. Brook’s spaces transformed by J.G. Lecat all around the world. (Opened by Portuguese president).
Cagliari July 2000 « Do we need a space or a set to play?». Workshop (one week) with the participation of young directors and actors, from the work of one young Sardinia Company. The play of this company is shown in various spaces around Sardinia Island , with the participation of the director of the play M.c. Madau . Through this experience, the set is gradually reduced, then removed.
Spoleto July 2000 « The place of the space in work of P. Brook ». Workshop (3 daylong) with young directors from in La MaMa Umbria.
Madrid October 2000 « El espacio teatral en el trabajo de P. Brook ». Workshop for young directors, young sets designers and young architects. Workshop (5 daylong), theoretical and practical work about visibility, acoustics, and the presence in theatres. Visits to spaces and theatres.
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Milan January 2001 « Can we imagine a theatrical space, simply by reading the text from SHAKESPEARE: Romeo and Juliet ». Workshop (6 daylong) with young students of LA SCALA DI MILANO and the ARCHITECTURE UNIVERSITY students. Work on text, manufacture of models, sketches. Visits to spaces and theatres. (With the help of the French Embassy.)
Madrid April 2001 « El espacio teatral en el trabajo de P. Brook ». Workshop (4 daylong) with 50 student actors. Theoretical and practical work about visibility, acoustics, and the presence in theatres. Visits to spaces and theatres.
Dresde May 2001 “Dear Held der Westlichen Welt” und Seminar “L’espace vide“.4 days workshop for directors, set designers and architects, theoretical and practical work about visibility, acoustics, and the presence in theatres. Visits to “ Festspielhaus Hellerau ” Appia Theatre.
Jerusalem June 2001 « The importance of the space in work of P. Brook». Workshop (6 daylong) for students of the Jerusalem University . Visit spaces and free spaces, theoretical and practical work at the University. (With the help of AFAA.)
Lisbon uly 2001 Workshop for young directors, young set designers and young architects. Workshop (6 daylong), theoretical and practical work about visibility, acoustics, and the presence in theatres. Visits to spaces and theatres.
Spoleto July 2001 « The place of the space in work of P. Brook ». Workshop (3 daylong) with young directors from in La MaMa Umbria.
Buenos Aires September 2001 « Can we imagine a theatrical space, simply by reading the play from SHAKESPEARE: Romeo and Juliet ». Workshop (6 daylong) with young directors, young set designers and young architects. Work on text, manufacture of models, sketches. Visits to spaces and theatres. (With the help of the French Embassy.)
New York November 2001 Workshop for directors, set designers and architects. Workshop (2 weekends), theoretical and practical work about visibility, acoustics, and the presence in theatres. Visits to spaces and theatres. (With the help of the French Embassy.)
Salzburg December 2001 Workshop (4 daylong) for young set designers. Theoretical and practical work about visibility, acoustics, and the presence in theatres. Visits to theatres.
Bahrain May 2002 Workshop (6 daylong), for directors, sets designers and architects. theoretical and practical work about visibility, acoustics, and the presence of the actors in theatres. Visits to spaces and theatres. (With the help of the French Embassy.)
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Madrid July 2002 « Can we imagine a theatrical space, simply by reading the play from F.G.Lorca : Noce de Sang ». Workshop (6 daylong) with young directors, young sets designers and young architects. Work on text, manufactures of models, sketches. Visits to spaces and theatres. (With the help of the French Embassy.)
Spoleto July 2002 « The place of the space in work of P. Brook ». Workshop (3 daylong) with young directors from in La MaMa Umbria.
Montreal October 2002 « Can we imagine a theatrical space, simply by reading the play from SHAKESPEARE: Romeo and Juliet ». Workshop (6 daylong) with young directors, young set designers and young architects. Work on text, manufactures of models, sketches. Visits to spaces and theatres. (With the help of the French Embassy.)
Barcelona October 2002 A 3 day workshop for young architects from South America and « How to conceive a theatre today ». First group.
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Barcelona March 2003 A 3 day workshop for young architects from South America and « How to conceive a theatre today ». Second Group. Workshops published.
Madrid March 2003 « El espacio teatral en el trabajo de P. Brook ». Workshop (5 daylong) with 50 student actors. Theoretical and practical work about visibility, acoustics, and the presence in theatres. Visits to spaces and theatres. (With the help of the French Embassy.)
New York April 2003 Workshop for directors, set designers and architects. Workshop (2 weekends), theoretical and practical work about visibility, acoustics, and the presence in theatres. Visits to spaces and theatres. (With the help of the French Embassy.)
Captown June 2003 Workshop for directors, sets designers and architects. Workshop (6 daylong), theoretical and practical work about visibility, acoustics, and the presence in theatres. Visits to spaces and theatres. (With the help of AFAA.)
Madrid July 2003 « Toda a simplicidade e muito sofisticata ».
Workshop (6 daylong) with young directors, young sets designers and young architects. Work on text, manufactures a real space. Participants split up into three or four mixed groups. They have two-Three days for discussion; and each group has one full day long to transform the space with bamboo, wood, paper, paintings and photos or videos. Each group is assisted by the other groups. Visits to spaces and theatres. (With the help of the French Embassy.)
Spoleto July 2003 « The place of the space in work of P. Brook ». Workshop (5 daylong) with young directors from in La MaMa Umbria.
Dublin August 2003 “How to Conceiving Space to day” Workshop for Theatre producers, directors, sets designers and architects. Workshop (6 daylong), theoretical and practical work about visibility, acoustics, and the presence in theatres. Visits to spaces and theatres. (With the help of AFAA)
Buenos Aires September 2003 « Toda a simplicidade e muito sofisticata ». Workshop (6 daylong) with 50 young directors, young sets designers and young architects. Work on text, manufactures a real space. Participants split up into three mixed groups. They have five days for discussion; each group has to transform the space with, wood, paper, paintings, photos or videos to present a short play. Each group is assisted by the other groups. (With the help of AFAA)
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Avignon February 2004 Workshops at I.S.T.S. for Technical Directors. 2 days workshop to imagine transforming the church of “La Chartreuse” in Theatre
Barcelona April 2004 A 3 day workshop for young architects from South America and Spain « How to conceive a theatre today ». First group.
Barcelona October 2004 A 2 weeks workshop for young set designer in Barcelona Institut of Theatre, preparing the group to imagine and make a set light and costumes of a Brecht play 2 month later.
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