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works from July 2000 (Date where I stop my collaboration with P. Brook)
Realisations from July 2000 (date where I stop my
collaboration with Peter Brook Company).
§ July 2000 I leave the CICT and Peter Brook after almost 25 years of collaboration. I decided to develop by myself what I had experiment with Peter Brook and the transformation of about 200 spaces through 165 cities.
2001 / 2003
§ In collaboration with the architect Andrew Todd :
- Project to rebuilt « The Other Space Theatre / Royal Shakespeare Company» in Stadford on Avon,
- Creation of a new space for the « Théâtre Ouvert » in Paris,
- Transformation of the « Young Vic Theatre » architect Steve Tompkings (Winner of the RIBA London building of the year Award). Opening in September 2006.
§ Set, costumes and lights of “Miss July” by Strindberg, directed by Juan Carlos Corazza in Madrid.
§ Set in paper for “Himalaya Ballet” by Richard Tremblay, choreography Richard Tremblay in Montréal,
§ Workshops : - 2000 Feb. Montréal, July Cagliary, July Spoleto, Oct. Madrid,
- 2001 jan. Milano, April Madrid, May Dresden, July Lisbon Spoleto, September Buenos
Aires, Nov. New York, dec. Salzburg.
- 2002 May Bahrain, July Madrid Spoleto, oct. Montreal, Oct. Barcelona.
- 2003 March Barcelona Madrid, April New York, June Cap town, July Madrid Spoleto,
August Dublin, Sept. Buenos Aires
2004
§ Program for the transformation and extension of the old “Teatro Da Trindade” (19th century).
§ Workshops : - February Avignon, April Barcelona, October Barcelona.
2005
§ Set of Der Theatermacher by T. Bernhard, directed by Joaquim Benite in Lisbone (Best play of the year in Portugal).
§ Transformation of the Garden of Hôtel de Rohan (Historical monument from 17th century) in Paris, and set up of stage and 2000 seats for the San Francisco Ballet.
§ Set, costumes and lights of Collected Stories by D. Margulies, directed by Marcia in Lisbon.
§ Program for the transformation of “Naves del Antiguo Mataderos” 3 building from an old slaughterhouse in Madrid.
§ Set of Titus Andronicus by Shakespeare in Dublin, directed by Selina Cartmell (Winner of the best play of the year in Dublin).
§ Workshops : - January Madrid Antwerp, Feb. Avignon, April Barcelona, May Paris, July,
Fontainebleau, Sept. São Paulo Rio De Janeiro, Oct. Barcelona, Nov. Dublin.
2006
§ Transformation of the Garden of Hôtel de Rohan (Historical monument from 17th century) in Paris. Set up of stage and 2000 seats for the for Alvin Ailey Company.
§ With architects M. G. Dias and partners construction of a new theatre in Lisbon. The “Nuevo Teatro d’Almada” opens in July 2006.
§ Transformation of an old factory to a theatre, theatre school, and studio in Verdal Norway. The “Tindved” open in spring 2006.
§ January 2006 Set of “Othello” by Shakespeare in Lisbon (Best play of the year in Portugal).
§ 2000/ 2006 with architects J. McAslan and Partners transformation of the “The Round House” in London. Opening July 2006.
§ Set, costumes and lights for the Teatrofocus Company. Directed by Mario Trigo in Lisbon.
§ Workshops : - Jan. Antwerp, Feb. Pittsburgh Toledo New York San Francisco San Diego, March Avignon, April Helsinki, May Barcelona, June Sibiu Romania, July Fontainebleau Spoleto, Oct. Kalyani, Calcutta, Oct. Pistoia.
.
2007
§ With the architect project to transform an old 17th century carpentry into a Cultural Center “Teatro Blue” in Pistoia Italy.
§ Set of “Quarto Minguante” by Rodrigo Francisco, directed by Joaquim Benite in Teatro Municipal de Almada Lisbon.
§ With architect John Keogan transformation of the “Abbey Theatre” National Theatre of Dublin. Opening in April 2007.
§ Set of “Mahagonny Opera” by Brecht in Madrid, directed by Mario Gas, (Won the MAX Award - Best Musical Show of the year in Spain)
§ Transformation of the Grand Palais for Ballet de Cuba in Paris;
§ Realisation of the “Scenofest Theatre” in Prague. Scaffolding for the structure and “bicycle-cardboard-boxes” (about 500) with fibre glass in it, for the walls.
§ Direction, music, set and costumes of “Oedipus” by Sophocles in Koomin University in Seoul Korea.
§ Set of 3 Operas “Il Maestro di Capella” by D. Cimarosa, “La Zingara” by R. Da Capua and “Il Giocatore” by L. Cherubini, directed by Stefano Mazzonis di Palafera in Liege.
§ Adaptation of the set of “Der Theatermacher” by T. Bernhard to be play in Centro Cultural de Bellem in Lisbon.
§ Workshops : - January Antwerp Madrid, Feb. Murcia, March High Wycombe Avignon, June Prague Sibiu Romania, July Fontainebleau, August/Sept. Seoul, Nov. Taipei.
2008
· Set and costumes of “Le Cercle de Craie Caucasian” by B. Brecht, directed by Oriol.
· Set of Opera «The Clemens of Titus» by A. Mozart in Teatro San Carlos Lisbon.
· Set of the opera “Il Matrimonio Segreto” by D. Cimarosa, directed by Stefano Mazzonis di Pralafera in Liège.
· 2005/2008 with architects Frank O. Gehry and Hugh Hardy, projet for a new theatre in Brooklyn N.Y. for the company “Theatre for a New Audience”.
· Set, light and costumes for "The Longer Kiss" by Jesper Halle, directed by Lars Vik, in Verdal Norway. The set (40 different scenes in about 30 spaces) is essentially a transformation of a theatre space, which is a factory I had transform into theatre 3 years ago.
Workshops : - July Cardiff, Sep, Oct. Nov. Seoul
.2009
§ Set costumes and lights for "O Vendedor de Elogios" by M. Simonot and directed M. Simonot.
§ Program for the transformation of the theatre space of ArCub in Bucharest.
§ Set of "The Mother" By Bertolt Brecht directed by J. Benite.
§ First step (of three in 3 years) of the transformation of the Mercat de les Flors in Barcelona.
§ Jury for project of transformation of an old Caravanserai in Bucharest.
§ Opening of the “The Funario-Teatro Blue” in Pistoïa Italy.
Workshops : - June Sibiu, July Columbia University, New York city, August Cardiff, Fontainebleau.
2010
§ Set, costumes and lights for "Uma Visita Inoportuna" by Copi, directed by Philippe Boulet.
§ Competition for transformation of building from 17th century into a Rostropovich opera school.
2011
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